Michael White’s classical news: James Baillieu; Charles Wood; Pygmalion; Ronald Corp

Grayson Perry: ‘I’m not out to solve the world’s problems with a paintbrush’

How pioneering feminist Maria Edgeworth is being rediscovered

‘Political parties tend to describe white working-class people as victims’

Review: Saria Callas at Camden People’s Theatre

Review: To Hell With Poverty!

Melba, toast of the town

Anatole Muster’s sonic explorations on the accordion + Sam Braysher; Andrea Rinciari; Jazz in the House

Review: Backlash – The Murder of George Floyd

Michael White’s music news: Burning Fiery Furnace; RCM Percussion Festival; Roxanna Panufnik; Ravel; Giulio Cesare

Review: The Gang of Three at King’s Head Theatre

Review: The Brightening Air at The Old Vic

Review: Scenes from a Repatriation at the Royal Court

Review: Revel Puck Circus, Brighton Fringe Festival Opening Gala

Review: How to Fight Loneliness, at Park 200

Review: The Great Gatsby, at London Coliseum

Michael White’s classical news: Sagrada Familia Symphony; Here We Are; Ravel; Adventures of Mr Broucek

Murky motel provides a grand stage for cinematic drama

Breaking with tradition: the performers mixing folk with street dance

The ‘bad patriot myth’: how Corbyn and Loach were turned into bogeymen