Review: The Red Shoes, at Sadler’s Wells
Production inspired by fairytale and Oscar-winning film is a surefire festive treat
Friday, 19th December — By Lucy Popescu

Andy Monaghan in The Red Shoes [Johan Persson]
INSPIRED by Hans Christian Andersen’s fairytale and Michael Powell and Emeric Pressburger’s Oscar-winning film, The Red Shoes is thrillingly brought to the stage by Matthew Bourne and his New Adventures Company.
Rising star Victoria Page (a captivating Cordelia Braithwaite) is overjoyed to join the Lermontov Ballet. She catches the eye of ballet impresario Boris Lermontov (Andy Monaghan, striking in a red-pinstripe suit), while also falling for struggling composer Julian Craster (Leonardo McCorkindale).
When prima ballerina (Michela Meazza) is injured, Vicky seizes the opportunity to shine, taking the lead role in The Red Shoes.
But Boris expects perfection and 100 per cent commitment from his stars.
Wanting Vicky to dedicate herself to her art, he gives her an ultimatum – she must choose between her love for Julian and her passion for dance.
The first half hour of this two-part production can feel disorienting if you’re not familiar with the film. We rely on the choreography alone to convey the characters’ inner turmoil.
Nevertheless, it’s gripping to watch and gradually everything begins to coalesce.
As ever, Bourne’s choreography and the company are first rate.
Lez Brotherston’s revolving proscenium arch allows us to witness the dancers on and offstage.
We are transported through various locations from Covent Garden to Paris to Monte Carlo – beautifully evoked by the cast in distinct scenes.
Rather than the original film score, Terry Davies orchestrates Bernard Herrmann’s film compositions adding a brooding intensity to this surefire festive treat.
Until January 18
sadlerswells.com