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Citizen Chagall

An exhibition of work by the artist Chagall shows the complexity of the wandering master, writes Dan Carrier

VARIAN Fry had an important mission to accomplish and time was running out. He had been sent to occupied France with a brief: Stop some of the country’s best-known artists falling into the clutches of the enemy. Use any means necessary to get them to America.
On his list was artist Marc Chagall, the Russian-born émigré who had settled in France. But he had a problem. Despite the German occupation, Chagall was convinced he was safe.
Chagall’s biographer Monica Bohm-Duchen, who lives in Gayton Road, Hampstead, and has written a guide for a new show of his work at the Ben-Uri Gallery in Swiss Cottage, says the artist was curiously unaware of the danger he was in.
She says: “In early 1940, just before the German invasion, the Chagall’s retreated to the remote and unspoilt Provencal village of Gordes, where he and his wife Bella were to live for a year. So impervious did Chagall seem to the dangers of remaining in France, he bought the house he was renting on the day the Germans invaded Belgium and Holland.” Ignoring the political turmoil and enthused by the Provencal spring, he busied himself painting landscapes and still lifes confident that moving from Paris to the countryside would be enough to allow him to continue to work in peace. And this, says Mrs Bohm-Duchen, is where Fry stepped in. The 32-year-old journalist, who had volunteered to go to Europe for a privately funded relief organisation called the Emergency Rescue Committee, thought otherwise. He had information that Chagall’s name, along with others including Henri Matisse and Pablo Picasso, were on a top secret Gestapo hit list. He spent the following year criss-crossing the country to find the artists and persuade him to leave. He gave them cash and advice on how to get a safe passage out of the country. But for Fry’s actions, Chagall, who painted right up to his death aged 97 in 1985, may not have survived.

The write lessons to learn from the past

Poet Andy Croft says novelist writing about World War II could learn a thing from those who experienced the conflict in the latest of our features about life during the war

IT’S hard to avoid World War II these days. One of the best-selling computer games of the year is Call of Duty (“delivers the gritty realism and cinematic intensity of World War II’s epic battlefield moments like never before”). Football supporters whistle for Premiership survival to the theme from The Great Escape. The film Downfall is showing at a multiplex near you. Charles Saatchi thought the general election would be a turning-point for the Tories like the battle of El-Alamein…

We have had new novels set during the war by Melvyn Bragg and Michael Frayn; Hollywood adaptations of novels by Sebastian Faulks and Robert Harris. Even poets like Tom Paulin and Glyn Maxwell have been joining in with collections about the war. Earlier this month Channel Five (which recently gave us Bad Boys of the Blitz) commissioned Simon Armitage’s long poem ‘May the 8th 1945’

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