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Bad ET invades with an on-form Spielberg

WAR OF THE WORLDS
Directed by Steven Spielberg
Certificate 12A

THIS is the highly anticipated movie of the summer – directed by Steven Spielberg and surrounded with leading man Tom Cruise’s personal excitement of announcing his engagement to Batman Begins star Katie Holmes.
Consider that money doesn’t always buy excitement, this is as extremely exciting as it is dark – a foreboding and massive piece of entertainment machinery which certainly makes use of every trick in the cinematic book.
A remake of the classic tale of alien invasion by H G Wells, a story that inspired a terrifying radio broadcast in 1938 by Orson Welles.
Using a script by Howard Koch, Welles’s radio play was so authentic it sent spasms into the American population and a permanent mark on the American psyche.
No matter how you feel about the soft Spielberg touchy-feely brushstrokes, they are merely parts of an amazingly visual film which features – without giving too much away – astonishing scenes of terrifying beauty. The aliens – thankfully tripods – are shown reflected in mirrors, through dirty windows, etc, a clever pitch which enhances their realism and the fleeing terror they bring.
Cruise seems to be having fun playing bad guys. Here he is a bad father who takes his teenage son (nicely played by Justin Chatwin) and young daughter (too-old-for-her-age Dakota Fanning – pictured here with Tom Cruise) on the identical weekend aliens have planned an earthly takeover.
This is a film everyone will want to see yet may find it more enjoyable if one ignores Spielberg and Cruise and the millions spent on this film. Ignore Cruise doing his typical ‘Top Gun’ congratulatory hug, and you’ll discover a story so primal that it didn’t need a movie star to shore it up.
The only thing War of the Worlds needs is tripods – and that it has in droves – and the audience’s imagination.
   
   
 
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