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UPDATED EVERY FRIDAY
Last Update:
Friday 25th February, 2005
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All content ©
New Journal Enterprises, 2005.
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| In
the line of fire |
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The
photographs of Tom Hurndall, killed by an Israeli soldier
in Gaza, reveal his bravery and talent, writes Sunita Rappai
TWO years ago, as the world watched and waited in anticipation
of war in the Gulf, a slight young man on the cusp of his
photographic career flew out to the Middle East.
Tom Hurndall, a 21-year-old student from Tufnell Park, had
photographed the anti-war march in London and was determined
to travel to Baghdad to cover the conflict and Saddams
human shields.
For the dedicated photography student at Manchester Metropolitan
University, it was in effect his first ever assignment.
He was determined to bring back the best photo,
says his mother, Jocelyn Hurndall, who lives in Burghley
Road. He had become interested in photography about
four years before and photojournalism was a natural choice
for him. He had tremendous courage and an insistence on
finding out the truth.
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| Sher
plays Levi, the witness to horror |
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Primo
Levis classic personal account of the Holocaust has
always been deemed unstageable, until now, writes
Jane Wright
THERE will be absolutely no striped pyjamas in evidence
over the next three weeks as theatrical knight Sir Antony
Sher brings the unstageable horrors of Auschwitz
to Hampstead Theatre.
As well as performing his monologue Primo, Sir Antony also
abridged it himself from the concentration camp memoir If
This is a Man by the Italian Holocaust survivor Primo Levi.
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| A tangled
love web that led to artistic triumphs |
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The
insatiable sexual appetite of artist Daphne Charlton created
a thriving community, writes Peter Gruner
SEX was not invented in 1963
as the late Philip Larkin wrote they were at it feverishly
in New End Square, Hampstead, way back in the 1930s.
At least Daphne Charlton was, with as many partners as she
could entice into her studio home, although, sadly for him,
none of them included her too docile artist husband George.
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